Stand A2, The Living Room 2023
Curated by
Balthazar Lovay
Marina Romiszowska
With participating galleries:
Almeida & Dale (São Paulo) – Rubem Valentim, Mestre Didi
Francesca Pia (Zürich) & Barbara Weiss (Berlin) – Mai-Thu Perret
Christine König Galerie (Vienna) – Nancy Spero
De Jonckheere (Geneva) – Follower of Hieronymus Bosch
Fitzpatrick Gallery (Paris) – Sergio Sarri
Galeria Jaqueline Martins (São Paulo, Brussels) – Regina Parra
Gallery Kendra Jayne Patrick (New York, Bern) – Ada Friedman
Gramma Epsilon (Athens) – Mirella Bentivoglio
Galerie Knoell (Basel) – Meret Oppenheim
Larkin Erdmann Gallery (Zürich) – Ken Price, Meret Oppenheim
Mai 36 (Zürich) – H.R Giger
The Approach (London) – Germaine Kruip
This particular booth explores artist’s dalliances within a mystical realm, which can be either embracing or negating. As physical vessels connecting the artist to the world, a work of art can also serve as a metaphysical link. The works shown address themes of spirituality, time, transhumanism and technology. We invite the viewer to engage—perhaps distantly—with an eerie seductiveness that drives a search for balance despite overhanging imbalance.
Meret Oppenheim
Eulen und Meerkatzen, Teufel, Engel, Katzen, Fledermäuse, Teufels Grossmütter, japananische Gespengster, andere Gespengster und kleine Götter
1970
collage and spray paint on paper
20 × 20 cm; 31 × 31 × 2.5 cm (framed)
