In 2017, the curator likes to recall the vast foyer of an opera house. These vast, opulently decorated rooms were back then used as a venue for reception as well as a practice room for the corps de ballet. For this exhibition, Samuel Gross gathered a vast collection in which each piece evokes dance on the one hand, and on the other hand, incorporates mirrored elements.
Thanks to the generous participation of exhibiting galleries, visitors were able to share a drink whilst strolling around the exhibition, admiring the works which surrounded them.
